糙找毕殴颇棺土橙馁觅探秘江南古韵，开启一场文化之旅杉姿腔温梅

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糙找毕殴颇棺土橙馁觅探秘江南古韵，开启一场文化之旅杉姿腔温梅《东马塍·一塍芳草碧芊芊》原文翻译及赏析_作者朱淑真楼外垂杨千万缕欲系青春少住春还去犹自风前飘柳絮随春且看归何处绿满山川闻杜宇便做无情莫也愁人苦把酒送春春不语黄昏却下潇潇雨
《早秋三首》原文翻译及赏析_作者许浑遥夜泛清瑟西风生翠萝残萤栖玉露早雁拂金河高树晓还密远山晴更多淮南一叶下自觉洞庭波《乐游原 / 登乐游原》原文翻译及赏析_作者李商隐向晚意不适驱车登古原夕阳无限好只是近黄昏
《听邻家吹笙（凤吹声如隔彩霞）》原文翻译及赏析_作者郎士元凤吹声如隔彩霞不知墙外是谁家重门深锁无寻处疑有碧桃千树花《临江仙·长爱碧兰干影》原文翻译及赏析_作者晏几道长爱碧阑干影芙蓉秋水开时脸红凝露学娇啼霞觞熏冷艳云髻袅纤枝烟雨依前时候霜丛如旧芳菲与谁同醉采香归去年花下客今似蝶分飞这是一首描写荷花的词头两句总写荷塘全景园林修筑精美池边护以阑干芙蓉开时水光花色阑干影构成了美妙的景色秋水二字既交代季节时令更说明池水的清澈以下三句好像推近了摄像镜头用特写的手法突出描绘艳丽的荷花脸红凝露学娇啼一句把盛开的花朵比喻为美女的脸颊艳红的颜色如同敷上了一层又薄又匀的胭脂而花瓣上的露珠则像是美女娇啼的泪痕显然这是拟人化的艺术手法以花拟人以人比花既写外在的形貌颜色也写内在的情感思绪是颇具匠心的以下两句仍然延续拟人手法并且进一步伸展开来黄昏时分落霞与酒杯一色薰染着荷花呈现着一片冷艳花朵在荷梗上袅袅微颤好像是凌波微步时美女的发髻上片调动多种修辞手段极力描绘荷花之美下片抒写离别之情仍然围绕着荷花而展开时届深秋烟雨风霜依旧又是采莲时候荷花已然结成莲蓬池塘经霜以后只剩下了一片枯枝败叶这景象当然不免有些萧瑟悲凉但作者把采莲称作采香却仍然保留着对荷花的一丝眷恋之情最后两句归结到深切的感叹上去年花下客今似蝶分飞时光的流逝夹带着人世的变迁追思往昔何以胜情词章虽已终结而其余韵犹在回荡

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